A mix of sci-fi thriller and coming-of-age drama, Super 8 was essentially Stranger Things before Stranger Things. and The Goonies, but with a much darker tone.
#Script it always sunny in philadelphia movie
3 Super 8 (2011)Ībrams’ only original movie to date, Super 8, is a nostalgic homage to Amblin classics like E.T. Philip Seymour Hoffman’s sinister arms dealer Owen Davian is by far the most memorable villain from the entire franchise. The script has fast-paced MacGuffin-driven storytelling to allow for plenty of action sequences, from infiltrating Vatican City to sliding down a sloping rooftop in Shanghai. The M:I threequel is a vast improvement over its exhilarating yet jumbled John Woo-helmed predecessor. The Mission: Impossible franchise didn’t become a must-see blockbuster extravaganza until Tom Cruise scaled the Burj Khalifa in Ghost Protocol, but Mission: Impossible III is still a solid entry in the series. Abrams took on a $150 million tentpole as his first movie. Not every directorial debut has a nine-figure budget, but an ambitious J.J. As a result, Star Trek Into Darkness doesn’t really work on its own terms.
The revelation that John Harrison is really Khan has no impact if the audience doesn’t already know who Khan is. The narrative hinges on a twist reveal that requires background knowledge of the Trek universe. The dark tone is refreshing at first, but ultimately doesn’t suit the pulpy style of the universe that was lovingly crafted by Gene Roddenberry as “ Wagon Train to the stars.” The second “Kelvin Timeline” movie is nowhere near as strong as its predecessor. 5 Star Trek Into Darkness (2013)Īfter rebooting Star Trek in 2009, Abrams returned to the director’s chair for the 2013 sequel, Star Trek Into Darkness, then jumped ship before the third movie to join the Star Wars universe. It culminates in a big, flashy final battle in which Rey and Palpatine bombard each other with Force powers until the hero kills the villain. The underwhelming Star Wars finale lacks the thematic substance of its classic predecessors. The Rise of Skywalker races through incongruous plot points like Emperor Palpatine coming back from the dead with a cult following and a Star Destroyer fleet out of nowhere, and the markings of an ancient Sith dagger lining up perfectly with the 30-year-old wreckage of the second Death Star. Rey turns out to be the granddaughter of Darth Sidious, and Kylo Ren gets a completely unearned redemption arc. The Rise of Skywalker sets out to be the Endgame of Star Wars, but its bloated script introduces too many new characters and elements to feel like a finale. 6 Star Wars: The Rise Of Skywalker (2019)Ībrams returned to the Star Wars universe for The Rise of Skywalker, the messy conclusion to the Skywalker saga. Some of these movies, like Super 8 and Trek ‘09, warrant more rewatches than others, like the massively underwhelming The Rise of Skywalker. He’s since helmed two Star Trek movies and two Star Wars movies, with one original story in the middle. Since making his directorial debut with Mission: Impossible III, Abrams has only directed five more features.
#Script it always sunny in philadelphia series
It’s a shame that Abrams’ TV series won’t come to fruition, but it might free him up to work on more movies.
Abrams’ production company, Bad Robot, reportedly asked for around $200 million to produce the show. The project had been in development for a while, but it was called off due to concerns over the skyrocketing budget. Abrams’ latest ambitious TV project, Demimonde, was recently cancelled by HBO.
0 kommentar(er)
